Giấc Mơ Bay
Giấc Mơ Bay na bombuj. A story about a kid wanting to be the god of heavens (so that he could skip classes and play around all day), Flying Dream’s witticism is equally applicable to situations in the world of adults. The second directorial work of Hữu Đức (who had by then appeared in a number of early Vietnamese animation project, often responsible for the art), Flying Dream marked ‘the maturity phase’ of Vietnamese animation in general and doll-based stop-motion works in particular. Flying Dream also bears the spirit of 1970s Eastern European animation through hazy spaces and colours floating freely between reality and a dream-world (created by artist Mai Long), and a score that recalls the best of psychedelic pop music of the time.
